An Interview With Shirley Chantrell

An image familiar to British Star Wars fans, this evocative artwork by Tom Chantrell is closely associated with the saga here in the UK. Chantrell passed away in 2001, and here in an interview from 2013 his widow Shirley looks at his legacy, her own life and the amazing artwork he left behind.

It’s hard to believe today but it took over two decades before Tom accepted that his work was of any significance, having spent many years feeling that he was ‘just’ a commercial artist moving from job to job. It took the encouragement and dedication of one woman to make Tom realise that his artwork was something worth treasuring. That woman was Shirley Chantrell, his second wife, the mother of his twin daughters, Jaqui and Louise, and his constant companion for just shy of 40 years. Shirley herself has had something of a remarkable life from her beginnings as the daughter of a horticulturist in Singapore, with a brave and fateful voyage to London just shy of her 18th birthday that eventually resulted in a chance meeting with Tom, altering the course of their lives forever.

Although Tom passed away in 2001, Shirley’s insistence that his work had value beyond just the payment he received for it meant that the Chantrells had amassed an archive consisting of over 40 years worth of material, including original artwork, sketches, posters and plenty of reference items that Tom used to create his work. Having carefully preserved this material since Tom’s death, Shirley decided it was time to share the archive and allow fans of his work to view and purchase select pieces. Last year was launched in collaboration with the respected memorabilia dealer Michael Bloomfield and the result is a treasure trove of Chantrell artefacts that is well worth a visit.

SOURCEFilm On Paper
Matt Booker
Matt is the Jedi News Social Media Guru, as well as co-host of the Take Cover podcast on the Jedi News Network. He also has a Boba Fett-ish with one of the largest Fett collections spanning every genre of collecting.